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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
Chuck Dixon Presents: Adventure
116 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: Adventure is a historical series of restored adventure comics from the Golden Age that have been personally selected by the legendary Chuck Dixon.
71453 views10180 likes
A tiny thumbnail of the cover art for the comics series The Thanesman Chronicles
The Thanesman Chronicles
27 episodes
by V. A. Boston
Betrayal. Brotherhood. Romance. To the half-fae Asgradi, loyalty is the chieftain of virtues. When the unthinkable happens and his own council betrays him, High Thane Witheric responds with the even more unthinkable: seeking help from the inferior race of humankind. With only his closest friend and right hand man, his Thanesman Restag, at his side, Thane and Thanesman risk the coming winter, the monsters of their wild Northlands, and their own people’s blood wars, racing south for sanctuary. Will they reach help or fall to their brutal lands? And if they do survive, what future awaits them in the human-ruled south? Find out in the first book in The Thanesman Chronicles.
3630 views
A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
Chuck Dixon Presents: Comedy
111 episodes
by The Legend Chuck Dixon
A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
80110 views9964 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
59 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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A tiny thumbnail of the cover art for the comics series Stonetoss
Stonetoss
447 episodes
by Stonetoss
Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
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A tiny thumbnail of the cover art for the comics series Hammer of Freedom 2
Hammer of Freedom 2
30 episodes
by Independent creator
The Hammer of Freedom 2 — Every record has been destroyed or falsified. Every book has been rewritten. Every picture has been repainted. History has stopped. Nothing exists except the endless present and there is nothing that stands against the end of history and the enslavement of Man. Except The Hammer of Freedom!
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A tiny thumbnail of the cover art for the comics series Something Big
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80 episodes
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Co-created by Chuck Dixon and Frank Fosco. Thirty years after an alien invasion brings mankind to the brink of extinction, one man realizes there's still a buck to be made. Larry Dorfman can't save mankind from alien conquerors, But he can take them for a bundle. Crime doesn't stop for the apocalypse. You can't keep a bad man down. Larry Dorfman's looking at the biggest score of his criminal career; a fortune in gold at the heart of an alien hive. Alien invaders have stolen our planet, Larry Dorfman just wants his cut.
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A tiny thumbnail of the cover art for the comics series FULLSTRIKE!
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Duster Fullstrike is the master of The Explosive Punch. He'll take on any dangerous job, so long as you can pay him with a secret technique.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
Chuck Dixon Presents: Adventure
116 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: Adventure is a historical series of restored adventure comics from the Golden Age that have been personally selected by the legendary Chuck Dixon.
71453 views10180 likes
A tiny thumbnail of the cover art for the comics series The Thanesman Chronicles
The Thanesman Chronicles
27 episodes
by V. A. Boston
Betrayal. Brotherhood. Romance. To the half-fae Asgradi, loyalty is the chieftain of virtues. When the unthinkable happens and his own council betrays him, High Thane Witheric responds with the even more unthinkable: seeking help from the inferior race of humankind. With only his closest friend and right hand man, his Thanesman Restag, at his side, Thane and Thanesman risk the coming winter, the monsters of their wild Northlands, and their own people’s blood wars, racing south for sanctuary. Will they reach help or fall to their brutal lands? And if they do survive, what future awaits them in the human-ruled south? Find out in the first book in The Thanesman Chronicles.
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Comedy
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A frantic font of the funniest funnybooks selected from the classic comics of the Golden Age by famed funnyman and comic book scribe Chuck Dixon.
80110 views9964 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
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AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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A tiny thumbnail of the cover art for the comics series Stonetoss
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A tiny thumbnail of the cover art for the comics series Hammer of Freedom 2
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A tiny thumbnail of the cover art for the comics series Something Big
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A tiny thumbnail of the cover art for the comics series FULLSTRIKE!
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SCHMELING had imitated Jack Dempsey's style. He fought out of a sort of crouch, but wasn't able to bob and weave as the old Mauler did. The style seemed suited to him, but it wasn't developed. His handlers wanted to turn him into a more upright fighter. Not immediately. Against Paulino, the crouch was still in evidence, but while training for Sharkey it was almost entirely abandoned. There has been too much puttering and tinkering with Schmeling. He is essentially a fighter and not a boxer. He should be made to fight and not box. Sharkey has forgotten more about the mechanics of fisticuffs than Schmeling will ever know. But skill, of course, isn't essential in the winning of a heavyweight championship. Sullivan, Jeffries and Dempsey proved that. But, without boxing ability, you must have ruggedness, aggressiveness and a real punch. With the punch must go not only power but accuracy. Max's next fight was with Paulino. He won the decision in fifteen rounds, giving the Basque a terrible beating in the last five, a beating that turned Paulino into a bloody and mangled object. But again the same objections found in the Risko fight held good here. For the first ten rounds it was a miserable exhibition, with the men standing off to beat and pawing away without doing much damage. In short, it took two-thirds of the fight for Max to find how to penetrate the burly Spaniard's awkward guard. That doesn't seem to me an indication of exceeding smartness.

Still, the interest in foreign fighters, and particularly the fact that Schmeling was the first championship contender to come out of Germany, helped push him along rapidly. He has color and an interesting style, and his marked physical resemblance to Dempsey—aside from his style—added to the publicity that was given him. Had he kept in harness after his fight with Paulino, the Teuton might have proved considerably. But trouble with Arthur Bülow, his former manager, interfered with his return home. He didn't want to fight because Bülow held a contract that permitted him to collect one-third of Schmeling's earnings. So instead of boxing regularly, Max took to the gymnasiums and vaudeville theatres of Germany. That year of comparative idleness didn't do him any good. I have said frequently that a boxer must fight to keep in proper shape. All the sparring practice in the world can't take the place of a few keenly contested bouts for getting a man in real trim. Schmeling didn't have those fights, and he did himself a lot of harm by his abstinence.

Still, his knockout victory over Risko brought him continued praise. Most of the boxing writers thought that John was washed up physically, but his fine fights with Von Porat, Campolo and others proved that this was not true. So Schmeling's triumph began to assume greater and greater proportions. Eventually, Max was recognized as the leading contender for the title Gene Tunney had left vacant. The New York State Athletic Commission rescinded the ban it had placed on him for refusing a scheduled match with Phil Scott and decided to recognize the winner of a Sharkey-Schmeling bout as heavyweight champion of the world. It seems rather extraordinary, when you stop to think of it, that a man who had really accomplished so little should have been given that opportunity. There were two reasons of course—the lack of good big men and the fact that Schmeling was the best fighter in Europe.

THE BLACK UHLAN #3 panel 4

I WATCHED the Black Uhlan very carefully in training. As a man who has conditioned fighters for forty years, I think I can see what the average observer misses. Max was badly trained. He did little road work, no bag punching and much less boxing than he should have done. I imagine the automobile accident he suffered in Europe harmed his legs, and it was felt that too much road work would do him no good. People who know what must be done to get a fighter in shape understand that a training period without lots of road work is so much wasted time.

THE BLACK UHLAN #3 panel 6
Neural Network Novellas series cover
THE BLACK UHLAN #3 episode cover
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Neural Network Novellas

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AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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