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A tiny thumbnail of the cover art for the comics series Aesops Fables
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A tiny thumbnail of the cover art for the comics series Bovodar & The Bears
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A tiny thumbnail of the cover art for the comics series Chateau Grief
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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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A classic series of illustrated stories from the Holy Bible.
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A tiny thumbnail of the cover art for the comics series Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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A tiny thumbnail of the cover art for the comics series The Wise of Heart
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A tiny thumbnail of the cover art for the comics series Cosmic Horrors
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A tiny thumbnail of the cover art for the comics series Aesops Fables
Aesops Fables
80 episodes
by Independent creator
Aesops Fables are a collection of short stories that each contain a moral or lesson. These fables (such as 'The Boy who Cried Wolf') are known across the world. Aesop was a Greek slave who lived during the 5th century BC and either created or popularised existing fables, so their wisdom could be enjoyed by future generations.
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A tiny thumbnail of the cover art for the comics series Bovodar & The Bears
Bovodar & The Bears
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What would you do if two angry bears came pounding on your door, demanding that you hurry out to meet them? That's the dilemma for Bovodar Yarkery, who is confronted one day with a gathering of bears who wish to carry him off on their grand adventure. Across hazardous deserts, through caverns, and far up through the forests into the cold North, there stands Kalas Hall, home of an evil polar bear lord, King Valemod. The path is long, perilous, and uncertain, but if Bovodar & the Bears succeed in their mission, untold glory and riches can be theirs... but only if they can overcome the dangers that await them. Written by Jack Mikkelson and illustrated by Mary MacArthur.
38527 views4768 likes
A tiny thumbnail of the cover art for the comics series Chateau Grief
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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
227509 views22043 likes
A tiny thumbnail of the cover art for the comics series The Wise of Heart
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He wanted to test the new Gender Awareness in Academia (GAIA) Act, but high-school biology teacher, Mike Andrews, got more than he bargained for. Arrested and thrown in jail for the crime of teaching the biology of sex determination and for refusing to affirm a student’s gender identity, Mike faces a show trial amid a media circus. The Wise of Heart offers a timely tale of transgender mania as author Hans G. Schantz re-imagines and updates the story of the Scopes Monkey Trial.
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A tiny thumbnail of the cover art for the comics series Cosmic Horrors
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Chapter Twenty-Five - Fire And Blood panel 1

CHAPTER TWENTY-FIVE - FIRE AND BLOOD

It was worse than he hoped for, but about what he expected. Julian counted thirty riders approaching. That meant that Isenholf had almost his entire force with him on this excursion, assuming he was not so stupid as to leave his base completely unmanned. And he was not.

Isenholf was taking this seriously, at least. His expression as he slowed his horse to a slow walk and approached the barricade was not the same mocking, amused smirk that he had worn before. Now his face was a mask of focus and malevolent intent.

Isenholf reined in, halting his horse about twenty feet from the barricade. He took a moment to look it over and made no effort to hide his disapproval.

Behind him, his men arrayed themselves in a loose pack. All were armored as before. About half carried spears in addition to the swords on their hips. The rest carried bows.

Except for one man at Isenholf’s right. He wore armor but carried no weapon that Julian could see. Instead, a number of bulging pouches hung from every place possible and he carried a thick leather tome balanced in front of him on his saddle. Unless Julian missed his guess, that would be the mage.

Isenholf completed his survey and turned his gaze on Raedrick and Julian. He nodded in greeting, a politeness that did not carry over to his expression or his tone.

“Baletier. Hinderbrook. You are becoming a true nuisance, do you know that?”

“That’s why we’re here,” Julian replied, affecting a good-humored tone.

Isenholf’s eyes narrowed a bit, but he did not acknowledge Julian’s words. Instead addressing Raedrick, he said, “I have been more than patient. I gave you a chance, yet you continue to provoke me. Why?”

Raedrick shrugged and replied, “That’s why we’re here.” He leaned forward and rested his forearms against the top of the barricade. “This town is closed to you, Theobald. You’ll not get the money you want, so why don’t you just go somewhere else? Somewhere with duller teeth?”

Isenholf snarled, showing his teeth. “Sharp teeth? Is that what you think you have with five men to defend your little wall?” Shaking his head, he went on, “No, I like it here. For the same reason you do: no authorities to come and check on things. A man can live on his own terms in a place like this. I think I’ll stay.”

“It appears we are at an impasse.”

“Not at all. You can ride away right now, and I’ll not chase you down.” Isenholf paused for a moment, then added, “Last chance.”

“Funny, I was just about to say the same thing to you.”

Isenholf shook his head with a smirk, then turned away and rode back to his men.

“Any second now,” Julian said.

They would just take a minute to get organized and then they would come. The barricade would not hold against their rush, and they knew it. He and Raedrick traded glances. His friend grinned and clasped hands with him.

“Ready?”

Julian nodded. “Let’s do it.”

Isneholf turned his horse around. His men gathered their reins. Those with bows nocked arrows. He opened his mouth to order the charge, but Raedrick beat him to it, simply thrusting a fist in the air and shouting, “LOOSE!”

Eight bowstrings snapped in unison: the six hidden on the platforms and the two behind the barricade. Six of Isenholf’s men screamed and clutched at arrows that were suddenly lodged in their bodies; four fell to the ground, but the others stayed on their horses. Julian was actually impressed at the archers’ accuracy.

Stunned surprise showed on every face in Isenholf’s group. They froze for a crucial heartbeat, which allowed the archers to launch another volley before they scattered. Only three were struck this time, though it was not because of poor marksmanship. Two separate arrows flew toward the mage; both rebounded before striking him, as though they had struck a solid object.

A third of Isenholf’s force was down or wounded. The rest darted for cover haphazardly. For a moment, Julian thought Lydelton might have an easy victory.

That hope was short-lived.

Isenholf shouted, “Open it up,” and the mage - the man had not moved a muscle despite the chaos around him - chanted a series of strange words at the top of his lungs and cast an object that he was holding toward the barricade.

Julian could not make out what it was, but when it struck the overturned carriage, a tremendous sound, like a clap of thunder, rang out and the carriage launched backward as though kicked by a giant. It actually rose into the air for a time before falling onto the street and shattering about thirty feet behind the barricade.

Julian was stunned, as much by the noise as by the display of power. He had seen mages work their art before, on the front lines. But never from this close. It was impressive!

The others on the Lydelton side were apparently just as stunned as he, because no further arrows were launched for several seconds, allowing the brigands to surge forward toward the gap in the barricade.

Four men with spears led the charge, riding two by two through the gap. The two men in front threw their spears as they rode through, forcing the two bowmen on the barricade to duck to avoid being skewered. Then they were through, and there was no one to stop them from riding straight on to the center of town.

Except Melanie. She stood in the center of the street, her face the picture of calm, and regarded them with the contempt she would show a bug in her tea.

The brigands in the lead grinned viciously and drew their swords, then spurred their horses forward.

In spite of his knowledge of her abilities, Julian felt a surge of panicked protectiveness. He hopped down from the barricade platform and drew his sword from his baldric. But even as he charged, he knew he would not make it in time to help her.

He needn’t have bothered. Melanie tossed her head, sending her hair flailing around dramatically, and chanted three words while pushing toward the charging horsemen with outstretched hands. Something in her hands flashed into flame, but for a heartbeat that was all that happened.

Julian thought sure whatever she had tried failed, and she was about to be ridden down. Then abruptly the four horses screamed and reared, throwing off their riders, then fell to the ground themselves. The men hit the ground and screamed as well. Man and beast alike writhed in agony as bit, bridle, horseshoes, swords, breastplates, helms, belt buckles - everything made of metal - began to glow as though just removed from the forge. Flesh, clothing, and hair began to burn where it touched the white-hot metal pieces, and the air began to fill with the sickening smell of burning flesh. Within seconds, the charging quartet and their mounts were fully ablaze.

Two more brigands, who had followed the first quartet through the gap, pulled up short of their burning comrades, stunned horror on their faces. Arrows from the hidden archers slammed home, knocking them both from their saddles.

Reminding himself never to make Melanie truly angry, Julian turned away from the still screaming bonfire and hurried toward the gap in the barricade. More men would be coming through, and he needed to stop them.

Raedrick and Selam were already in the gap, each bracing a spear against the paving stones of the street; they no doubt retrieved the spears from where the brigands had thrown and missed. Another two horsemen tried to make it through, but were brought up short as the horses impaled themselves on the spears.

But throwing spears are not designed to hold up against the weight and momentum of a charging horse. The shafts cracked and then split completely, forcing Raedrick and Selam to dive aside to avoid being trampled. Julian heard Raedrick cry out in pain, but could not see what happened to him in the tussle of arms, legs, and bodies as the horses fell forward, sending their riders sprawling.

Julian rushed forward, cutting one of the fallen brigands down before he could extricate himself. The other was more nimble and met Julian with an attack of his own. Julian retreated, knocking the brigand’s sword away as he gave himself more room to maneuver.

A sudden concussion from above drew his attention. The archery platform on the right side of the street blew apart. The men stationed there fell, grasping desperately at the shingles of the roof where the platform rested as they tried to slow or arrest their descent. One succeeded; Julian thought it was Hiram.

But he did not have time to find out for sure as his foe rushed forward, thrusting the tip of his sword toward Julian’s gut.

A sloppy attack. Even the fishing men, novices to the blade as they were, would not have tried it, but Julian supposed the brigand counted on his being distracted by the events on the roof to make it successful.

Unfortunately for him, Julian sidestepped the thrust with ease and brought his blade down onto the back of the hapless man’s neck. As the brigand’s head went bouncing down the street, Julian thought he saw his last expression: a look of almost comic surprise.

Glimmer Vale is the first book of the Glimmer Vale Chronicles, an ongoing heroic fantasy series set in a world of valor and magic. It will be published here, one chapter per week, on Tuesday.

If you enjoy it, please consider purchasing a copy of the book. It is available directly from Michael's website and on virtually all of the online bookstores:



Direct Link - https://ssnstorytelling.com/product/glimmer-vale/

Retailers Link - https://books2read.com/glimmervale



Besides publishing here and on Substack, Michael has a (mostly) weekly podcast, Story Time With Michael Kingswood, where he reads his work, explores music, and opines about whatever fun things he happens to come across. If you enjoy Michael's work, please consider subscribing:



https://youtube.com/@michaelkingswood

https://rumble.com/c/MichaelKingswood

https://podcast.michaelkingswood.com



Thanks for reading! See you in the next chapter!

Glimmer Vale series cover
Chapter Twenty-Five - Fire And Blood episode cover
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Glimmer Vale

Created by
author avatar
Michael Kingswood
On the run from their past, swordsmen Raedrick Baletier and Julian Hinderbrook search for a place of refuge where they can start over. That search sends them through a remote mountain valley called Glimmer Vale, where unbeknownst to them, dark forces threaten the population’s lives and fortunes. With their hopes of quiet passage through the Vale dashed, and facing a deadly conflict against overwhelming odds, Raedrick and Julian will need all of their wit, courage, and skill just to survive, let alone prevail. Fans of sword and sorcery will enjoy this fast-paced tale of redemption set in a world of valor and magic. Glimmer Vale is the first book in the ongoing Glimmer Vale Chronicles heroic fantasy series. Fans can purchase the book directly from the author or through any of the online retailers: https://ssnstorytelling.com/product/glimmer-vale/ https://books2read.com/glimmervale
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Chapter Eight - Employment episode cover
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Chapter Twenty-Five - Fire And Blood cover art
Chapter Twenty-Five - Fire And Blood
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