Arkhaven logoArkhaven logo
6,883
16,623,344
Login
  • Logout
Browse
Bingeable
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16842 views844 likes
A tiny thumbnail of the cover art for the comics series Vegfolk Fables
Vegfolk Fables
221 episodes
by Codex & Q
We tossed ‘Bone’, ‘VeggieTales’, and a wee dram o’ whiskey into the blender, mashed the humor button, and poured the story onto the Web. With a splash of Oz and a sprinkle of Narnia, Vegfolk Fables is an all-age-friendly fantastical adventure. No vegetarians please.
221759 views24397 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
66 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
19930 views771 likes
A tiny thumbnail of the cover art for the comics series The Life of Ike
The Life of Ike
27 episodes
by Bluestem
A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.
7011 views
A tiny thumbnail of the cover art for the comics series Quantum Mortis
Quantum Mortis
73 episodes
by Vox Day
The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.
114922 views11845 likes
A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
by The Legend Chuck Dixon
Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
78674 views4194 likes
A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
116972 views
A tiny thumbnail of the cover art for the comics series Ascendant
Ascendant
26 episodes
by Ascendant Comics
In December 2012, the U.S. government launched a secret program to create superhumans called Ascendants. In July 2018, the U.S. government lost control over them. Now, America enters a new era in which ordinary men and women can become the heroes we need... or the monsters we fear. TIME TO ASCEND!
14925 views
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16842 views844 likes
A tiny thumbnail of the cover art for the comics series Vegfolk Fables
Vegfolk Fables
221 episodes
by Codex & Q
We tossed ‘Bone’, ‘VeggieTales’, and a wee dram o’ whiskey into the blender, mashed the humor button, and poured the story onto the Web. With a splash of Oz and a sprinkle of Narnia, Vegfolk Fables is an all-age-friendly fantastical adventure. No vegetarians please.
221759 views24397 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
Treasury of Tales
66 episodes
by Independent creator
The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
19930 views771 likes
A tiny thumbnail of the cover art for the comics series The Life of Ike
The Life of Ike
27 episodes
by Bluestem
A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.
7011 views
A tiny thumbnail of the cover art for the comics series Quantum Mortis
Quantum Mortis
73 episodes
by Vox Day
The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.
114922 views11845 likes
A tiny thumbnail of the cover art for the comics series Invasion '55
Invasion '55
106 episodes
by The Legend Chuck Dixon
Chuck Dixon's unapologetic homage to the 50's movies he watched on the Early Show as a kid. He describes it as 'A real labor of love and a ball to write. Bad guys from outer space versus the US Air Force.' What's not to love? It also "inspired" the "surprise" ending of M. Night Shaymalan's movie Signs. Chuck is still waiting on his check. Lito Fernandez brings a real period feel to this limited series with his Frank Robbins/ Milton Caniff inspired artwork. We discovered multiple missing pages from the original Invasion '55 story, restored and reintegrated them into their rightful place, and are re-releasing the story in its restored glory.
78674 views4194 likes
A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
116972 views
A tiny thumbnail of the cover art for the comics series Ascendant
Ascendant
26 episodes
by Ascendant Comics
In December 2012, the U.S. government launched a secret program to create superhumans called Ascendants. In July 2018, the U.S. government lost control over them. Now, America enters a new era in which ordinary men and women can become the heroes we need... or the monsters we fear. TIME TO ASCEND!
14925 views
Around the Network
Saturday Arktoons
arkhaven — 27 days ago
Four new episodes at Arktoons!
The Plastic Age of Hollywood - Attack of the Streaming Wars
arkhaven — 27 days ago
How Hollywood Caught Tulip Fever Chasing the $20 Billion Dragon
Legendary Comic Creator Howard Chaykin On His Career, New Zorro Project, And More!
fandompulse — 27 days ago
Howard Chaykin stands as one of the most audacious visionaries in comics history, a trailblazing writer-artist whose razor-sharp storytelling and provocative visuals have redefined the medium for decades.
Woodchucks in the Clover 3/3
juniorclassics — 27 days ago
The final part of the twenty-sixth tale from The Animal Book
Out of the Shadows 022
aicentral — 27 days ago
A 5-star machine-augmented MIDNIGHT'S WAR novel
The Boys of Sigma
sigmagame — 27 days ago
Hollywood's latest reinterpretation of the Sigma Male
Epic Lays Off 23 Percent of Its Workforce, Permanently Kills Three Fortnite Modes
fandompulse — 28 days ago
In late March, Epic Games cut more than 1,000 employees, roughly 23 percent of the company, and announced the permanent shutdown of three Fortnite game modes: Rocket Racing, Ballistic, and Festival Battle Stage.
Guns of Mars 52
castalialibrary — 28 days ago
A Martian action-adventure by The Legend Chuck Dixon
Saturday Arktoons
arkhaven — 27 days ago
Four new episodes at Arktoons!
The Plastic Age of Hollywood - Attack of the Streaming Wars
arkhaven — 27 days ago
How Hollywood Caught Tulip Fever Chasing the $20 Billion Dragon
Legendary Comic Creator Howard Chaykin On His Career, New Zorro Project, And More!
fandompulse — 27 days ago
Howard Chaykin stands as one of the most audacious visionaries in comics history, a trailblazing writer-artist whose razor-sharp storytelling and provocative visuals have redefined the medium for decades.
Woodchucks in the Clover 3/3
juniorclassics — 27 days ago
The final part of the twenty-sixth tale from The Animal Book
Out of the Shadows 022
aicentral — 27 days ago
A 5-star machine-augmented MIDNIGHT'S WAR novel
The Boys of Sigma
sigmagame — 27 days ago
Hollywood's latest reinterpretation of the Sigma Male
Epic Lays Off 23 Percent of Its Workforce, Permanently Kills Three Fortnite Modes
fandompulse — 28 days ago
In late March, Epic Games cut more than 1,000 employees, roughly 23 percent of the company, and announced the permanent shutdown of three Fortnite game modes: Rocket Racing, Ballistic, and Festival Battle Stage.
Guns of Mars 52
castalialibrary — 28 days ago
A Martian action-adventure by The Legend Chuck Dixon
More
Store›Blog›Partners›Contact›
Full Armor of God panel 1

In Ephesians 6:10, Paul calls believers to be strong in the Lord, and in the strength of His might. Any strength the Christian has in the struggles of this life is strength in the Lord (that is, in union with Christ) and is, in fact, the Lord’s own might—just as any vitality or fruitfulness a branch has is only possessed by virtue of union to the vine and is the vine’s own vitality and fruitfulness manifest in the branch.

To emphasize this point, Paul’s description of the “full armor of God” in which the Christian should be clothed alludes to the description of God’s own armor from Isaiah 59:16-18. The armor of the believer is, in fact, God’s armor placed upon the believer only as they are united to God in Christ. But, we need to say more than this, because God’s “armor” is ultimately a metaphorical expression for His own character—it is who He is. Thus, to be clothed in the armor of God is to be clothed in God Himself, and this is possible only in Jesus Christ (“in the Lord,” as Paul says).

In the final analysis, the armor of God is not something God gives to us, it is something—indeed, someone—God is for us in the crucified and risen Jesus Christ, who is Himself the character, the identity, the glory of God made flesh. And so, in this picture, I’ve attempted to make visually explicit what is theologically implicit in Ephesians 6:15-18, namely, that the spiritual armament of the Christian is ultimately Jesus Christ Himself—known, loved, and trusted with the entire soul—in whom they are clothed by their faith-union through the Spirit.

Our strength, our perseverance, our fruitfulness, our endurance in hope throughout 2021 is wholly dependent upon—and, indeed, is the moment-by-moment manifestation of—our grace-given union to God in Christ by His Spirit. May He grant us to live by faith in this truth more and more.

So, let’s consider each of the seven pieces of the armor, looking at how they are manifestations of who God is for us in Jesus, and how I’ve tried to portray this in the image.

First — The Belt of Truth. In this picture, the belt of truth is represented by a red cord coming from and returning back to the wound in Christ’s side. This is because Jesus Christ Himself—as the crucified and risen one in whom alone God is known—is the Truth (John 14:6), and secondly because the truth about the believer is that they are bound to and so defined by the risen Jesus through the love-driven, truth-manifesting obedience of His this death and resurrection.

Second — The Breastplate of Righteousness. The righteousness with which the Christian is armored is not ultimately their own righteousness—though, if their lives are not marked by increasing righteousness, they are likely not wearing the breastplate. Rather, it is God’s righteousness as manifest in and embodied by Jesus Christ. Imagine that there is a pauper girl who marries a prince. As soon as she marries him, his title, his castle, his wealth is now hers as well—why, because she earned it? No, it is hers by virtue of her union to the prince in marriage. Similarly, when God unites a believer to Christ by grace, through faith, then what is Christ’s—specifically here, His righteousness—is counted to the believer, not

because they earn it, but by virtue of their union to Him (note also that the Bride’s debt is counted to her Bridegroom, but considering that would take us beyond the bounds of our present discussion). So, in this image, the golden sash of Christ’s own righteousness is also wrapped around the saint’s chest, but only because the saint is literally pictured in Christ.

Third — The Readiness of the Gospel of Peace. What ought the feet shod in the readiness of the Gospel of peace be ready to do? Readiness for what? I would suggest the answer is readiness to lay down one’s life in union with the Lord; it is readiness to die. Whether that means the myriad little deaths of love throughout the day (giving up time, plans, purposes, finances, preferences so that others might be built up in Christ), or the death of cultural and social influence that comes from faithfulness to the name of the Crucified One, or—ultimately—the death of our bodies in final and holistic witness to the beauty of God’s name as He has declared Himself in Jesus our Lord, however this “death” manifests itself, I believe it is ultimately death for which the Gospel of peace readies the saint. To know ourselves crucified with, buried with, raised with, and seated with, Jesus Christ; to know that He Himself is our life and that when He appears, we will appear with Him in glory; to know this gospel of peace, is to be made ready to die—whatever death love may demand—with and as our Lord. Thus, the readiness of the gospel is represented in this picture as a cross bar behind the saint’s feet mimicking the cross bar that is often seen behind Jesus’ own feet in imagery of the crucifixion.

Fourth — The Shield of Faith. Faith is only as sure as its object, and so our question here ought to be, “faith in what?” Of course, the answer is: faith in Jesus as the crucified and risen one who is Himself our savior and the true revelation of God. Central to this faith is the recognition that we ourselves are powerless and that God in Christ alone is our life and hope and strength. Because of this, the saint’s left hand is not closed in a grip of his own strength around a shield (as though the strength of our own faith could defend us!), rather, it is opened in the acknowledged desperation—the “poverty of spirit”—inherent to saving faith, and placed in the wound of Christ’s hand (representing the slain and risen Lord who alone is the object of saving faith). It is from this position of submission to and dependence upon the risen Lord that faith is expressed. So, in this picture the shield of faith is represented almost as a “force field” of God’s grace raised up before the assaults of the enemy, and raised up precisely and only as the saint casts himself in desperate dependence upon the wounded hand of the risen Christ.

Fifth — The Helmet of Salvation. I’ve represented the helmet as a crown with five red jewels. The jewels, in turn, represent the five wounds of Christ’s crucifixion (two in His hands, two in His feet, one in His side) as they are transfigured into witnesses of God’s love and heralds of His beauty through the resurrection. In this way, the five-jeweled crown becomes a symbol for the death, resurrection, and exaltation of the slain and risen Lord, and so a succinct image of our salvation. The placement of this crown on the saint’s brow represents his union with Jesus in His death and resurrection and, therefore, represents the saint’s own salvation through this death and resurrection. To be united to the slain and risen one is indeed the saints’ “helmet,” their impenetrable defense against all

eternal harm which not even death itself can pierce, the crown of glory and honor placed upon those whom God in Christ has raised up from the pit and destined for a fullness of life that begins now and continues into the endless ages to come.

Sixth — The Sword of the Spirit. Paul says the sword of the Spirit is the word of God, but what does he mean when he says that. We have since come to think of the “word of God” as the 66 books of the Bible, but—of course—Paul did not have a “Bible” like we do (he was, in fact, writing the final parts of it!). No, when Paul talks here about the “word of God,” it seems most likely that he is referring to the the proclaimed gospel of the crucified and risen Jesus who is the image and glory of God. The word of God is the word that God has spoken (in and through and as His incarnate Word) in the life, death, and resurrection of Jesus; it is the word by which He has revealed His Name in righteousness and secured final redemption for all His own. This word is represented in this image as a sword coming from Christ’s mouth (cf. Rev.1:16 and 19:21, also Heb.4:12) because, ultimately the word that Jesus speaks is the gospel, which is to say, is His witness to Himself as the one sent from God to redeem His people and reveal His Name. The sword passes through Christ’s wounded hand—and so through the saint’s hand as well—in order to show two things: 1) That the word in view here is primarily the gospel of Jesus’ death and resurrection, spoken first by—and in—Christ, and spoken derivatively by His saints, and 2) To show that in order to wield this sword of the gospel word, one must be ready to—and certainly will—bear the wounds of the gospel in themselves, that is to say, the wounds of self giving love (which, again, takes us back to the readiness to die that is given by this word itself, the gospel of peace).

Seventh — Though not technically an element of the “armor,” Paul’s call to “pray always in the Spirit” seems inseparably associated not only with the sword of the Spirit (the proclaimed word about Christ, which cannot be truly proclaimed apart from the Spirit), but also the entire array of armor as a whole. The Spirit is the personal bond of communion and union between believer and Christ (and, therefore, between believers and each other). Thus, maintaining a consistent posture of prayer is a means of continuing in lived-out fellowship with Christ, and so a means of “putting on” the armor that God is for us in Him. In this picture, prayer in the Spirit is represented as a flame of fire coming from the saint’s mouth and rising up to God. Notice that only where the flame crosses over Jesus’ face is His eye visible. This is at attempt to indicate that the Spirit is the one who takes from the fullness of Christ (which is the fullness of the Father) and makes it known to the saints (John 16:14), such that we all—individually and corporately—know and have fellowship with Jesus (and so “put on” this armor) only in the Spirit.

A few final aspects of the image need to be further explained. First, notice that the halo behind Christ’s head is in the form of the open mouth of the tomb, with the stone rolling away to His left. This reminds us that, first, Christ is only received and known as the crucified and risen one, and that secondly, all that we have just discussed above is afforded to the believer only as they are united to and found in the slain-yet-living Lord (a point further emphasized by the fact that the saint is literally located within Jesus in this picture).

Finally, notice two things about the saint’s posture. First, his face is turned up, toward the risen Christ. This is because it is only as we behold the crucified Jesus Christ—illumined by His resurrection—that we come to see and know the glory of our God and the one for whom we (and all things) exist. The eyes of the “Christian soldier” are set, not on the enemy, not on the terrain, not on the next strategic move, but on the risen Jesus Christ alone (Col.3:1-3; Luke 10:42.

And second, see that the Christian is cruciform, standing with the posture of the one on the cross and yet, in this posture of crucifixion, he is illumined by the light of the risen Lord. Again, the posture of the “Christian soldier” is not one of tension or aggression or domination, but one of crucifixion, one of the confidently loved self-giving love of obedience. It is only as the saint is conformed to the death of Jesus (which, again, is the death of whole-self obedience to the Father, which is whole-self giving in a love that is satisfied with God in Christ and so is able to give itself up in the name of God in Christ), only as the saint is conformed to the death of Jesus is the transforming, healing, new-creation life of Jesus able to be manifest in his life. The world-conquering strength of the Lord is manifest in His people only as they embrace and are conformed to the “weakness” of the world-loving death of the Lord. (2 Cor.4:7-12; 12:9); the death that is and leads beyond the grave to true life in the Risen One.

Full of Eyes series cover
Full Armor of God episode cover
Website
26K views • 1.5K likes
8 comments

Full of Eyes

Created by
author avatar
WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
Guard Your Thoughts episode cover
Guard Your ThoughtsEpisode #70
Battle Cry of God episode cover
Battle Cry of GodEpisode #69
Cricifixion Baptism episode cover
Cricifixion BaptismEpisode #68
Reoriented Affections episode cover
Reoriented AffectionsEpisode #67
Indulgence of the Flesh episode cover
Indulgence of the FleshEpisode #66
Any Survivors? episode cover
Any Survivors?Episode #65
Through the True Abyss episode cover
Through the True AbyssEpisode #64
Medallions 4/4: Good Soil episode cover
Medallions 4/4: Good SoilEpisode #63
Medallions 3/4: Among Thorns episode cover
Medallions 3/4: Among ThornsEpisode #62
Medallions 2/4: On Rocky Ground episode cover
Medallions 2/4: On Rocky GroundEpisode #61
Medallions 1/4: Along the Path episode cover
Medallions 1/4: Along the PathEpisode #60
Christian Suffering episode cover
Christian SufferingEpisode #59
Bound to Him episode cover
Bound to HimEpisode #58
We Shall Again Praise Him episode cover
We Shall Again Praise HimEpisode #57
What Makes for Peace? episode cover
What Makes for Peace?Episode #56
Dead and Alive Again episode cover
Dead and Alive AgainEpisode #55
Soul-life In the Blood episode cover
Soul-life In the BloodEpisode #54
The Cup Passes None By episode cover
The Cup Passes None ByEpisode #53
The Object of Faith episode cover
The Object of FaithEpisode #52
Lay Down His Head episode cover
Lay Down His HeadEpisode #51
Lay Out Our Troubles episode cover
Lay Out Our TroublesEpisode #50
Suffering is Not Meaningless episode cover
Suffering is Not MeaninglessEpisode #49
It's All about Jesus episode cover
It's All about JesusEpisode #48
Building the House episode cover
Building the HouseEpisode #47
Judgment Seat episode cover
Judgment SeatEpisode #46
The Song of Christ and His People episode cover
The Song of Christ and His PeopleEpisode #45
True Obedience episode cover
True ObedienceEpisode #44
Central Transformation episode cover
Central TransformationEpisode #43
Rescue Mission episode cover
Rescue MissionEpisode #42
The Washing episode cover
The WashingEpisode #41
From Whence Comes Light episode cover
From Whence Comes LightEpisode #40
Ressurection-Shaped episode cover
Ressurection-ShapedEpisode #39
He Is Our Future episode cover
He Is Our FutureEpisode #38
Put to Death episode cover
Put to DeathEpisode #37
Sure Salvation episode cover
Sure SalvationEpisode #36
Living Tabernacle episode cover
Living TabernacleEpisode #35
Passing By episode cover
Passing ByEpisode #34
The Same Person episode cover
The Same PersonEpisode #33
Preparing Glory episode cover
Preparing GloryEpisode #32
Both At Once episode cover
Both At OnceEpisode #31
The Same episode cover
The SameEpisode #30
Crushed Rahab episode cover
Crushed RahabEpisode #29
Suffering With Us episode cover
Suffering With UsEpisode #28
Blessed from His Place episode cover
Blessed from His PlaceEpisode #27
Among Us episode cover
Among UsEpisode #26
Anguish to Joy episode cover
Anguish to JoyEpisode #25
Steadfast Love episode cover
Steadfast LoveEpisode #24
Identity episode cover
IdentityEpisode #23
Number Our Days episode cover
Number Our DaysEpisode #22
Beyond Forever episode cover
Beyond ForeverEpisode #21
Anastasiform Presence episode cover
Anastasiform PresenceEpisode #20
Look Only to Him episode cover
Look Only to HimEpisode #19
It Shall Be episode cover
It Shall BeEpisode #18
All Our Fallings episode cover
All Our FallingsEpisode #17
God With Us episode cover
God With UsEpisode #16
This is Love episode cover
This is LoveEpisode #15
Thorny Bush episode cover
Thorny BushEpisode #14
Where Else? episode cover
Where Else?Episode #13
Bound into a Yoke episode cover
Bound into a YokeEpisode #12
Dark Night of the Soul episode cover
Dark Night of the SoulEpisode #11
Why Not Be Defrauded? episode cover
Why Not Be Defrauded?Episode #10
Full Armor of God episode cover
Full Armor of GodEpisode #9
Light that is Life episode cover
Light that is LifeEpisode #8
Peace is a Person episode cover
Peace is a PersonEpisode #7
Meant for Evil, Meant for Good episode cover
Meant for Evil, Meant for GoodEpisode #6
Mighty Shepherd episode cover
Mighty ShepherdEpisode #5
Long Live the King episode cover
Long Live the KingEpisode #4
In Knowing His Name episode cover
In Knowing His NameEpisode #3
The Great Work Done episode cover
The Great Work DoneEpisode #2
Unexpected Welcome episode cover
Unexpected WelcomeEpisode #1
Full Armor of God cover art
Full Armor of God
605 views • 30 likes • 0 comments
List icon
(L)ist
Comment icon
(C)omments
Prev icon
(P)rev
Next icon
(N)ext
Fullscreen icon
(F)ull