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A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
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A tiny thumbnail of the cover art for the comics series Three of Cups
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16398 views
A tiny thumbnail of the cover art for the comics series Bovodar & The Bears
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A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
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Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
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A tiny thumbnail of the cover art for the comics series Stonetoss
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447 episodes
by Stonetoss
Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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58 episodes
by Vox Day
In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
227509 views22043 likes
A tiny thumbnail of the cover art for the comics series The Thanesman Chronicles
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27 episodes
by V. A. Boston
Betrayal. Brotherhood. Romance. To the half-fae Asgradi, loyalty is the chieftain of virtues. When the unthinkable happens and his own council betrays him, High Thane Witheric responds with the even more unthinkable: seeking help from the inferior race of humankind. With only his closest friend and right hand man, his Thanesman Restag, at his side, Thane and Thanesman risk the coming winter, the monsters of their wild Northlands, and their own people’s blood wars, racing south for sanctuary. Will they reach help or fall to their brutal lands? And if they do survive, what future awaits them in the human-ruled south? Find out in the first book in The Thanesman Chronicles.
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A tiny thumbnail of the cover art for the comics series 上嫁小鼠
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by 卫护港.漫画
第一以及唯一部漫画系列描述调情和社会性别等级。如果你不明白为什么你还没谈恋爱,被别人冷落,你肯定不是唯一的。
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A tiny thumbnail of the cover art for the comics series Day by Day
Day by Day
284 episodes
by Chris Muir
Snapshots of an American family dealing with the farcical wokeness of the United Socialist States of Amerikka of today, a Leviathan that daily oppresses their freedoms and agency.
116972 views
A tiny thumbnail of the cover art for the comics series Three of Cups
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45 episodes
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What if life was the adventure? Rose has always wanted to be a bard. A musician who inspires emotions by infusing her song with just a thread of magic. The course seems clear. Attend Bardic College in Splendor, the biggest city in the Realm, and graduate their four-year course. It seems easy enough. Along the way to Splendor, Rose meets Bosra, a grey-skinned giant-kin woman who is leaving her adventuring days behind her. Most adventurers don't retire. They either die as heroes or become villains. She intends to enjoy the fortune she's made in the most luxurious place she knows, the city of Splendor. Valentina, princess, contemplates whether there is more to life than what she is accustomed to, when Bosra and Rose find respite to the coffee shop she spends her free afternoons at. One conversation leads to another, and before she knows it, she's encouraged to step out of her gilded cage. Until those who built the cage come to drag her back. A cozy fantasy story.
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A tiny thumbnail of the cover art for the comics series Bovodar & The Bears
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What would you do if two angry bears came pounding on your door, demanding that you hurry out to meet them? That's the dilemma for Bovodar Yarkery, who is confronted one day with a gathering of bears who wish to carry him off on their grand adventure. Across hazardous deserts, through caverns, and far up through the forests into the cold North, there stands Kalas Hall, home of an evil polar bear lord, King Valemod. The path is long, perilous, and uncertain, but if Bovodar & the Bears succeed in their mission, untold glory and riches can be theirs... but only if they can overcome the dangers that await them. Written by Jack Mikkelson and illustrated by Mary MacArthur.
38527 views4768 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
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A tiny thumbnail of the cover art for the comics series Stonetoss
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A tiny thumbnail of the cover art for the comics series Arts of Dark and Light
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58 episodes
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In Selenoth, the race of Man is on the ascendant. The ancient dragons sleep. The ghastly Witchkings are no more; their evil power destroyed by the courage of Men and the fearsome magic of the Elves. The Dwarves have retreated to the kingdoms of the Underdeep, the trolls hide in their mountains, and even the savage orc tribes have learned to dread the iron discipline of Amorr's mighty legions. But after four hundred years of mutual suspicion, the rivalry between two of the Houses Martial that rule the Amorran Senate threatens to turn violent, and unrest sparks rebellion throughout the imperial provinces. And in the distant east, the war drums echo throughout the mountains as orcs and goblins gather in vast numbers, summoned by their bestial gods. Based on books from the epic fantasy series ARTS OF DARK AND LIGHT.
227509 views22043 likes
A tiny thumbnail of the cover art for the comics series The Thanesman Chronicles
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Betrayal. Brotherhood. Romance. To the half-fae Asgradi, loyalty is the chieftain of virtues. When the unthinkable happens and his own council betrays him, High Thane Witheric responds with the even more unthinkable: seeking help from the inferior race of humankind. With only his closest friend and right hand man, his Thanesman Restag, at his side, Thane and Thanesman risk the coming winter, the monsters of their wild Northlands, and their own people’s blood wars, racing south for sanctuary. Will they reach help or fall to their brutal lands? And if they do survive, what future awaits them in the human-ruled south? Find out in the first book in The Thanesman Chronicles.
3630 views
A tiny thumbnail of the cover art for the comics series 上嫁小鼠
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Defectus Eclipsus II panel 1

Chapter Four: Defectus Eclipsus II


Outside, in the relative safety of the corridor, I allowed myself a moment of trembling relief. The encounter had been a warning, clearly, but also a revelation. The "guardians of true time" were not some shadowy local conspiracy but reached to the highest levels of the Vatican itself. And they were concerned enough about what I might discover to send an emissary to monitor my progress.

I clutched Visconti's astronomical reference to my chest, wondering if it was a genuine resource or a carefully constructed tool of misdirection. Either way, it would be valuable—if the calculations were accurate, they would help me identify discrepancies; if falsified, they would reveal the very deception I sought to uncover.

Instead of returning to the scriptorium, I made my way to Brother Clemens's observatory. The old astronomer was not there, but I knew he would not mind my use of his sanctuary. I needed solitude, quiet, and access to his own astronomical calculations to compare with Visconti's gift.

I retrieved Brother Clemens's green manuscript from its hiding place and brought it to the observatory. There, with the dome's small windows admitting the late afternoon light, I spread both books before me and began my comparison.

Visconti's volume was meticulous, showing not just the dates of celestial events but their visibility from various European locations, their duration, and their angular measurements in the sky. Brother Clemens's private calculations were less formal but contained detailed notes on his sources and methods, along with expressions of doubt where his calculations contradicted accepted historical accounts.

For the first hour, I found nothing immediately suspicious. The dates for lunar and solar eclipses matched between the two sources, as did records of comets and planetary conjunctions. But as I delved deeper, focusing on the period between 650 and 950 AD—the alleged phantom centuries—discrepancies began to emerge.

According to Clemens's calculations, a total solar eclipse should have been visible from Constantinople in July of 775 AD. The historical records indeed mentioned such an eclipse, with Byzantine chronicles describing how "the day was turned to night" during the reign of Emperor Constantine V. Yet Visconti's reference placed this eclipse in 774, not 775, and calculated it as only partial in Constantinople.

A minor discrepancy, perhaps—a year's difference might be attributed to calendar variations or recording errors. But as I continued my comparison, more anomalies emerged. A triple conjunction of Mars and Jupiter recorded in Frankish annals for the year 807 could not, according to Brother Clemens's calculations, have occurred as described. The planets would not have been in the correct positions.

More troubling still was an account of Halley's Comet in 684 AD. The comet's appearance is reliably periodic, returning approximately every 76 years. Brother Clemens had calculated its appearances backward through time from known modern observations. According to his work, Halley's Comet should have been visible in 684, and historical records did indeed mention a "great star with a tail" in that year.

But Clemens had added a disturbing note in the margin: "If 684 observation correct, then previous return in 608, not in documented year of 530 as claimed in Cassiodorus's chronicle. Impossible discrepancy of 78 years."

I sat back, my mind racing. If Halley's Comet had appeared in 530 and again in 684, with only 154 years between appearances instead of the expected 228, then one of two things must be true: either the comet's orbital period had changed dramatically (a physical impossibility), or the chronology between those dates had been somehow compressed or falsified.

I turned to Visconti's book, searching for his treatment of these cometary appearances. His entry for 684 acknowledged the historical record of a comet but dismissed it as "likely a misidentification of atmospheric phenomena or a different, non-periodic comet." For the year 530, he confidently identified the described celestial object as Halley's Comet.

The contradiction could not be accidental. Either Brother Clemens's calculations were wrong, or Visconti's reference contained deliberate falsifications.

I needed more evidence, and fortunately, astronomical records provided it in abundance. Solar eclipses, in particular, followed patterns that could be calculated with precision. If there had been a systematic distortion of chronology, eclipse records would reveal it.

I turned to Brother Clemens's notes on an eclipse reportedly observed in Rome in 840 AD during the papacy of Gregory IV. According to historical accounts, this eclipse had been total, causing momentary darkness at midday. But Clemens's calculations showed that no total eclipse would have been visible from Rome in that year—the nearest total eclipse visible from that location would have occurred in 829.

Again, I checked Visconti's reference. His entry confidently listed a total eclipse visible from Rome in 840, with precise details of its duration and path.

My hands were trembling now. The evidence was mounting that someone had deliberately falsified astronomical records to support a chronology that could not have existed. And if the chronology was false, then what of the events supposedly anchored to those dates? The coronation of Charlemagne in 800? The Synod of Whitby in 664? The entire sequence of Merovingian and Carolingian rulers?


Tempus Occultum series cover
Defectus Eclipsus II episode cover
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Tempus Occultum

Created by
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Vox Day
A archeo-historical thriller written in the unforgettable style of the late Umberto Eco. The novel tells the tale of a young monk-librarian who discovers a secret hidden in the distant past that threatens to upend the entire written history of Man.
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