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A tiny thumbnail of the cover art for the comics series Paper Doll Veronika
Paper Doll Veronika
171 episodes
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Veronika Bosch, who's never left her father's estate, has to go on a journey when envious animals kick her out. Half collage, half puppetry, a fairy tale adventure made with hand-drawn paper dolls.
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A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
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301894 views26248 likes
A tiny thumbnail of the cover art for the comics series Spacekraken
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by Spacekraken
Space Kraken is a webcomic based on the science fiction and super science happenings surrounding a mad scientist and house guests from beyond. And also, some side-trips into comic super heroes and other topics where they intersect with the occasional lab accident.
137509 views7170 likes
A tiny thumbnail of the cover art for the comics series Treasury of Tales
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The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.
19930 views771 likes
A tiny thumbnail of the cover art for the comics series The Dixon Files
The Dixon Files
27 episodes
by The Legend Chuck Dixon
In the thousands of comic book stories Chuck has written there are a few that have never been re-printed anywhere. He's dusting off a few of these lost and forgotten short stories and sharing them on Arktoons. Enjoy these blasts from Chuck's past.
26596 views2865 likes
A tiny thumbnail of the cover art for the comics series Midnight's War
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In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
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A tiny thumbnail of the cover art for the comics series Chateau Grief
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A tiny thumbnail of the cover art for the comics series Full of Eyes
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The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
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A tiny thumbnail of the cover art for the comics series Paper Doll Veronika
Paper Doll Veronika
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90151 views8337 likes
A tiny thumbnail of the cover art for the comics series Alt★Hero: Q
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When federal agent Roland Dane is sent to Peru to escort a U.S. Cabinet member, he has no reason to believe his assignment is connected in any way to his Treasury team's recent bust of a ring of amateur counterfeiters. But when the Secretary of State and his entourage is unexpectedly attacked and the subsequent news reports of the attack bear no resemblance to the events he witnessed, Dane is forced to confront the shocking discovery that nothing in his world is quite what it appears to be. Alt★Hero: Q is an incendiary comic series that explores the mysterious phenomenon of QAnon. Set in the Alt★Hero universe, the story is written by The Legend Chuck Dixon, the co-creator of Bane and the most prolific author in the history of comic books.
301894 views26248 likes
A tiny thumbnail of the cover art for the comics series Spacekraken
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A tiny thumbnail of the cover art for the comics series Treasury of Tales
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A tiny thumbnail of the cover art for the comics series The Dixon Files
The Dixon Files
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A tiny thumbnail of the cover art for the comics series Midnight's War
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In the year 8466 of the Cainite calendar, in the aftermath of a catastrophic global economic crisis, the vampire tribes came out of the shadows for the first time in more than 2,600 years and revealed themselves to an unsuspecting humanity. With near-complete control of the media, the national governments, the global financial system, and most of the major international institutions, most of humanity was helpless to resist the vampiric bid for power. But drawing inspiration from the crusading orders of the Middle Ages, twelve young men joined together in a new military order, The Knights of Saint Michael and of the Catacombs of Rome. Armed with little more than their faith and blood that is poison to their enemies, The Knights of Saint Michael wage a desperate war against the vampire lords of the midnight world.
351646 views29757 likes
A tiny thumbnail of the cover art for the comics series Chateau Grief
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Technically it's only kidnapping if she tries to leave.
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A tiny thumbnail of the cover art for the comics series Full of Eyes
Full of Eyes
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by WisePathBooks
The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)
26265 views1535 likes
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CHAPTER EIGHT

There was general agreement that minds can exist on nonbiological substrates and that algorithms are of central importance to the existence of minds.

—from “Technological Singularity” by St. Verner Vinge


SHE WAS being followed!

The sensation came to her for no particular reason as she strolled down a retail thoroughfare of Faracity, capital of the planet Faraday, third of the orange-yellow sun Anhaus. This was the seventh evening in a row she'd meandered down the street, but the first time she'd picked up a tail.

I'm being followed, she thought. By whom? She never changed her pace nor gave any sign that she knew, but she was certain of it! The intuition that had alerted her had served her too well in the past for her to mistrust the familiar sensation.

She felt the fear mount, her pulse rise, as adrenaline surged through her body. She couldn't be captured. Not now! She was too close and her mission was far too important to accept failure now. Who was following her? An agent of House Dai Zhan? Unlikely. She rejected the idea. The Dai Zhani were clever, but they lacked the interstellar resources and they had no interest in Kasahara Starways, which was owned by House Nishiyama.

Ascendancy Intelligence, on the other hand, didn't need any such interests. August Karsh's net was deep, broad, and three-dimensional, extending throughout the entire galaxy. There was no planet, to core or to spin, that was beyond Karsh's reach. And after the murder of his primary line into House Dai Zhan, the AID director would be throwing everything he had into finding her.

Then, without warning, it was as if a small gate in her mind opened, and the programmed information locked away by it flooded her consciousness. She exhaled and relaxed. She still didn't know who her tail was, but now she knew it was her contact on Faraday. And, more importantly, she knew what she had to do.

She passed a window that was set at an angle to the street and glanced into it. Almost immediately, she spotted her tracker, a short, portly, inconsequential figure who was walking slowly behind her. He had a limp, she noticed, and she knew why. She didn't know if his artificial leg was the result of military service or an unfortunate accident; the important thing was that for all his mundane appearance, the man was a cyborg.

She reached the entrance to a small park on her left and turned into it. Fortunately, there were few walkers about, other than a few young couples who were focused on each other and all but lost to the world around them. Slowing her pace, she turned up a side path and immediately stepped behind a screen of shrubbery. It wasn't as concealed as she would have liked, but it would do, especially since the wooded path was unlit except for the light of Anhaus reflected from the three moons overhead. Best of all, there were no cams, and the leafy canopy precluded the possibility that any civilian police drones were watching them.

She heard the footsteps as the limping man approached, an imbalanced rhythm that confirmed it was him. When the portly figure drew abreast of where she was standing, she stepped out upon the path and held up an open hand in greeting.

“Ah, hello,” he said in an uncertain voice. He was not an attractive man, and she could see that he was sweating despite the cool air of the evening. “I think, I think I am supposed to give you something.”

She nodded and replied with the coded phrase. “Red six four Alpha six one Lambda.”

No sooner did she say it than his body convulsed, his arms hurled up and his head jerking back as if he'd been shot from behind. He stood there for a moment, jerking, as his eyes rolled back in his head  and his mouth fell open. Then he fell backwards without attempting to break his fall, and his body landed heavily on the path with a meaty thud. He spasmed once or twice more as he lay there, his arms splayed out on either side.

Algorithms of Central Importance panel 2
A Mind Programmed series cover
Algorithms of Central Importance episode cover
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48K views • 1.8K likes
15 comments

A Mind Programmed

Created by
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Vox Day
The Greater Terran Ascendancy finds itself facing a historic crisis when the Shiva-class cruiser ATSV Rigel goes missing during a routine patrol through the Kantillon sector. Fortunately, the Ascendancy Intelligence Directorate's top operative, Daniela York, is on the scene.
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