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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
Chuck Dixon Presents: Adventure
116 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: Adventure is a historical series of restored adventure comics from the Golden Age that have been personally selected by the legendary Chuck Dixon.
71453 views10180 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
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Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
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A tiny thumbnail of the cover art for the comics series 取代英雄
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A tiny thumbnail of the cover art for the comics series Fairy Door
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by V. A. Boston
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
18496 views978 likes
A tiny thumbnail of the cover art for the comics series 纸娃娃维罗妮卡
纸娃娃维罗妮卡
33 episodes
by Independent creator
纸娃娃维罗妮卡 by Mary Macarthur 维罗妮卡·博世从未离开过她父亲的庄园,当嫉妒的动物把她赶出去时,她不得不去旅行。一半拼贴画,一半木偶戏,传统媒体相当于精心制作的精灵漫画。 纸娃娃维罗妮卡 - 第14集:走进森林空地(二)
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A tiny thumbnail of the cover art for the comics series Chateau Grief
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by Jean Guillet
Technically it's only kidnapping if she tries to leave.
287467 views31282 likes
A tiny thumbnail of the cover art for the comics series 飞行火花
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by Jon Del Arroz
克洛伊·安德森(Chloe Anderson)白天是一名物理系学生,是一个勤奋、聪明的女孩,她和她的疯狂科学家教授关系密切,并作为助教与他一起工作。 她也是一个超级英雄,元女孩。 约翰尼·本维努蒂(Johnny Benvinutti)来自一个知名的意大利犯罪家族,最近他发现自己有能力用手发射闪电。他经营着一家咖啡店的门面生意。当他们两个相遇时,《火花》在多个层面上飞溅。但他们能在保持关系的同时对彼此保密吗?
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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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A tiny thumbnail of the cover art for the comics series Chuck Dixon Presents: Adventure
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116 episodes
by The Legend Chuck Dixon
Chuck Dixon Presents: Adventure is a historical series of restored adventure comics from the Golden Age that have been personally selected by the legendary Chuck Dixon.
71453 views10180 likes
A tiny thumbnail of the cover art for the comics series The Lost Era Transcripts
The Lost Era Transcripts
30 episodes
by JW MacLean
Artist Pete Hampton, (1940-2018) was a wildly eccentric genius. He created slide shows of his paintings to tell the beautiful, and terrifying stories of his early childhood in the remote hills of Southern California. This work was re created from Pete's journals and the original paintings from 1961 through the early 1970's.
16842 views844 likes
A tiny thumbnail of the cover art for the comics series 取代英雄
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这个时代的黎明导致了一场新的军备竞赛,尽管这场竞赛涉及超人而不是超级武器。但是,尽管美国签署了《新加坡公约》,允许联合国控制其超人,但其最大的军事对手却没有。因此,当美国海军陆战队司令得知一支中国超级英雄团队正在北美大陆作战时,他别无选择,只能召集秘密超人组成的部队侦察队,五角大楼甚至不知道他们的存在。
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A tiny thumbnail of the cover art for the comics series Fairy Door
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After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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A tiny thumbnail of the cover art for the comics series 纸娃娃维罗妮卡
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A tiny thumbnail of the cover art for the comics series Chateau Grief
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A tiny thumbnail of the cover art for the comics series 飞行火花
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A tiny thumbnail of the cover art for the comics series Classic Bible Tales
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Episode 15

We Strike at Dawn

Once the defeated, demoralized Ulimbese had regained the safety of the camp, Colonel Emerson called the brass together, then a few minutes later Marks told us the deal.

“Here’s the situation, boys. We’re facing not only the city militia, we’re up against two regiments of regulars and a company of the prince’s elite guard. We are going to hit them again with a 10-minute bombardment, then you will go in well-supplied with smoke, tag points of resistance, in particular machine gun and missile batteries, then we will take them out with missile-bearing drones. We lost one drone playing spy over the city, so no more of that. Instead, you will tag, we will get the drones in, hit the targets, and get them out. The colonel doesn’t want to lose any more eyes in the sky, especially as we have no idea when we will be re-supplied. We strike at dawn.”

The sky was already a pale grey on the horizon, and the fields were thick with mist. It was almost time—and that mist would help us, as would the still air.

“Hey Tommy—why do they think it’s better to lose men than drones?” Ward asked me. I turned to him in surprise, not knowing he was beside me.

“We cost less,” I said. “Also, if you lose your eyes in the sky, you run the risk of losing a lot more men. We’re probably going to lose a few men when we go in, but if we lose our ability to take out their hard points and see what’s in front of us, we’re going to lose a helluva lot more. But don’t worry, the colonel seems to know what he’s doing. And even if corporate didn’t give a rat’s ass for our lives, they would care about losing money. Each man down is an insurance payout, plus they have to hire a replacement who probably requires additional training. They don’t want that! Make sense?”

He nodded, apparently satisfied. We all have to learn as we go along, I guess.

The cannons pounded over our heads as we launched smoke into the field and went low, scrabbling from cover to cover. We followed the edge of a stone wall for a time, then jumped into a thicket.

Park whispered a curse as he yanked a thorn out of his hand. We could see the roadblocks and enemy troops ahead despite the smoke. Our goggles were switched to discriminate. I thanked the war gods that they snuck in just below Ulixis’ tech level.

The guns behind us ceased as we were now too close to the enemy defenses. The thicket ended in the remnants of a corn field, corrugated by cultivation and currently thick with the rustling stubble of dry and felled stalks. Across the field I could see lots of our squads crawling foot by foot, covered by the repeated launch of new smoke grenades. RAT-TA-TAT-TAT! The chatter of enemy machine guns tore over the field and right over my head. I was bound and determined not to take another hit. Right now we were a ways out, so staying low was the best bet.

Puffs of dirt flew up here and there as enemy rounds sought blindly for targets, then we hit a sprawling vineyard. Jock waved us in and we followed the rows of grapes, knowing even without smoke the Corwistalian gunners wouldn’t see us. Unlike the Ulimbese armor, we could hide.

We got on our feet now, crouching to stay below the 1.5 meter height of the vines, going single file behind Jock, who was guiding us inwards by map, as we couldn’t see the machine gun nests thanks to the roll of the hill and the vines. Every little bit, we’d crawl under a few rows, then go along a row again. Multiple other squads were also taking advantage of the vines. It also saved our limited supply of smoke grenades.

Then we came to a large barn at the end of the vineyard. Jock opened the back of the barn—it was unlocked—and we went through. Inside sat a tractor, keys in the ignition. Tools, jars, racks of dry corn, even a chainsaw, all there in an unlocked barn. Trusting people, these Corwistalians—or perhaps the owners had fled for their lives and left their material goods. Yeah, probably the latter.

We looked out the entrance of the barn. Through the smoke we could see another cornfield and a simple white house with bushes, beyond which was the road again. As an experiment I pulled down my goggles and could barely see 20 meters ahead. “Good,” I muttered. “Can’t see anything?” Park said. “Yeah, clear as mud.”

“Let’s hope the Corwies don’t have optics like ours,” he said.

“They don’t,” Jock replied. “We’ve got the advantage, so long as the wind doesn’t rise.”

And then we were off again, crawling low across the field. Enemy fire chattered here and there but it was distant—until the slope changed and we were suddenly looking down at the outer edges of the enemy’s defenses.

We Strike at Dawn panel 2
We Strike at Dawn panel 3
Wardogs Inc. series cover
We Strike at Dawn episode cover
33K views • 1.9K likes
3 comments

Wardogs Inc.

Created by
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Independent creator
All war is murder for profit. Some people are just more open about it. WARDOGS INCORPORATED is one of the largest and most professional mercenary corporations operating in the Kantillon subsector. If you need a bodyguard, an assassination team, or an armored cavalry regiment complete with air support, Wardogs Inc. can provide it for you... for a very steep price.
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