AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.

The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.

Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.

A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.

The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)

A classic series of illustrated stories from the Holy Bible.

The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?

The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.

AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.

The independent planet of Rhysalan provides Sanctuary to 1,462 governments-in-exile. It is the responsibility of the Xenocriminology and Alien Relations department of the Military Crimes Investigation Division to keep a firm leash on the hundreds of thousands of xenos residing on-planet. Assassinations, revolutions, civil wars, and attempted planetary genocides are all in a day's work for Chief Warrant Officer Graven Tower, MCID-XAR. In addition to a missile-armed aerovar, his trusty Sphinx CPB-18, and MCID's extremely liberal policies concerning collateral damage and civilian casualties, Chief Tower is assisted by his extreme xenophobia as well as a military-grade augmented machine intelligence that believes it has found God. QUANTUM MORTIS is an action-packed Mil-SF mystery series.

Stonetoss is an independent webcomic covering current events, American politics and internet culture. Its primary theme is a critique of so-called “free thinkers” hysterically trying to shut all thinking down. The author encourages you to enjoy the comic, but if it offends you, that’s okay too.

A collection of autobiographical poems in the style of Edmund C. Bentley’s “clerihews”, written by a highly intelligent, erudite pitbull-lab-corgi-collie mix.

The purpose of this series is to help you see (by faith), savor (as all satisfying food to your soul), and sing (in all of life) the beauty of the One True God as he is revealed in the crucified and risen Jesus throughout all of Scripture. This is not an arbitrary goal since the God for whom we—and all things—exist is communicated to his creation with definitive authority in the incarnate Son (John1:14,18), and with climactic finality at the cross (John 8:28, 17:1,5). The implication that derives from this truth is simple and yet, like the wardrobe in C.S. Lewis’ Chronicles of Narnia, contains worlds of glory within it: if we would know the glory, the beauty, the identity of the One True God, we look to the resurrection-illuminated cross of Jesus Christ. - by Christopher Powers (www.FullOfEyes.com)

A classic series of illustrated stories from the Holy Bible.

The rebirth of a monster. For a hundred years castle Frankenstein has been a silent ruin. But now, the monster created by Dr. Frankenstein is about to reawaken to once again spread terror, destruction, and death. Can anyone stop the monster once and for all?

The Treasury of Tales series adapts illustrated stories that were published in the 1800s and early 1900s, using the contemporary language and images. These are the richer language and pictures read by earlier generations, before the tales were simplified and sanitised for mass-produced ‘modern audiences’. Join us as we enjoy fun tales from long ago.