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A tiny thumbnail of the cover art for the comics series My Sister Suprema
My Sister Suprema
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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A tiny thumbnail of the cover art for the comics series 星期天漫画:暗部
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4300 views
A tiny thumbnail of the cover art for the comics series Spacekraken
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Space Kraken is a webcomic based on the science fiction and super science happenings surrounding a mad scientist and house guests from beyond. And also, some side-trips into comic super heroes and other topics where they intersect with the occasional lab accident.
137509 views7170 likes
A tiny thumbnail of the cover art for the comics series Neural Network Novellas
Neural Network Novellas
59 episodes
by Independent creator
AI generated art using text prompts are a new, controversial means of creating visual art. The cowboy and the shepherd have working dogs to assist them. The spaceman relies on his blaster and android assistant to complete his mission. The writer can now use an AI artist to create art for his written creations. Join us as we explore this new creative process by taking classic prose stories, feeding them to our supportive silicon sketcher, and share the results with you.
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A tiny thumbnail of the cover art for the comics series BOB
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156 episodes
by WisePathBooks
Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Stonetoss
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A tiny thumbnail of the cover art for the comics series Riot Town, USA
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A tiny thumbnail of the cover art for the comics series My Sister Suprema
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A tiny thumbnail of the cover art for the comics series The Chronicles of the Adventure, Hunting, and Liquidation Committee
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9832 views463 likes
A tiny thumbnail of the cover art for the comics series 星期天漫画:暗部
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A tiny thumbnail of the cover art for the comics series Spacekraken
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A tiny thumbnail of the cover art for the comics series Neural Network Novellas
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A tiny thumbnail of the cover art for the comics series BOB
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Bob Moran is a multi-award winning British illustrator and cartoonist. His work deals with themes of politics, ethics and family. He uses emotion to convey important messages, defend moral principles and to invite people to reflect on what really matters in life. Between 2011 and 2021, Bob was political cartoonist for The Daily Telegraph. During this time, he established himself as one of the most revered and popular satirists in the UK. In January 2022 Bob began working for The Democracy Fund, a Canadian charity that defends and promotes civil liberties and constitutional rights. During a very dark period for humanity, Bob seeks to create powerful imagery that brings hope and reassurance to the oppressed, in defiance of their oppressors. At a time when so many appear to have forgotten the things that give life meaning, he is determined to help them remember.
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A tiny thumbnail of the cover art for the comics series Stonetoss
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A tiny thumbnail of the cover art for the comics series Riot Town, USA
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Eibhlin cringed when she saw the scratches along the kithara’s side, and her stomach sank as she looked down and saw a large crack running up the instrument’s sound box. Tears threatened her eyes, and her throat tightened. She wanted to say some-thing, knew she should, but her mind went blank.


“I will be fine, Milady,” said the instrument. Its voice sounded like strings being tightened. “I am enchanted. It will patch itself up soon enough. I probably should not be played much, if at all, for a couple weeks, though.”


Eibhlin nodded.


Silence stretched between them before Mel said, “You should watch your step more, if you do not mind my mentioning, Milady.”


“It’s dark,” came the mumbled reply.


“You were never this clumsy on the stairs of the bell tower.”


“Those were stairs.”


More silence.


When the instrument spoke again, its tone sounded amused. “You know, Milady, with how far down we are going, you might just get to meet your demons.”


“What?” said Eibhlin.


“At this rate,” replied Mel, “we might just make it to the Gates of the Underworld, like the heroes in the old legends. Then you can see all the demons you want, Milady.”


“Who said I want to meet demons?”


“But at the bell tower, you seemed quite eager to assume anyone was a demon.”


“That doesn’t mean I want to meet one,” replied Eibhlin.


“You do not?” said Mel with mock disbelief. “Just as well, really. Nasty creatures, demons, but can be dangerously charming. How did you mistake Vi for a demon, Milady? Demons are not even of the Fae. The fae people were formed of the quintessence while beings such as demons and angels are pure spirit. They are not even of the same nature. Did you not learn that in your histories?”


“I know. I… I was just… I couldn’t think straight,” said the girl.


“Were you scared?”


“What?” Eibhlin paused a bit before saying, “Yes. I… I was scared.”


“And are you scared now?”


Eibhlin tensed. “Why are you asking?”


The instrument’s voice, while still strained, softened. “Eibhlin,” it said, “I am an enchanted item. I experience emotions such as happiness, anger, and, yes, even fear. However, they cannot impede me as do yours. If you cannot think straight, let me straighten you. Speak with me, Eibhlin. Let me help you. I am just a tool, an item. I cannot help you unless you let me.”


There in the dark, deep in the earth without sound, without sun or moon or stars, without any companion but a talking instrument, Eibhlin felt something crack. It was like at the elven home, being healed and treated, when Eibhlin first woke up and wished she was home and remembered her fear. Was it the solitude? Was it the dark? Was it the knowledge that, in that place, the world only existed within that little sphere of light?


What did it matter?


“Don’t be sorry for your tears. Indeed, I wonder if maybe you did not shed enough.” The elf lady’s words came back to her, and Eibhlin could only let the tears fall. Her quiet sobs echoed in the dark, sounding so distant and sad to her own ears that she couldn’t stop. Time did not exist in that orb of light on the border of the Underworld. Eibhlin cried, and Time did not exist to tell her for how long.


When Eibhlin’s weeping slowed, Mel asked, “Are you afraid, Milady?”


“Yes,” Eibhlin said. “Yes. I’m afraid.”


“Do you want me to help you?”


Eibhlin looked over at the instrument. Through her own broken voice, she said, “Yes. Yes, I do. Help me. Please, help me, Mel. I’m afraid. I’m afraid, and I don’t know what to do.”


With the softest tones its damaged voice could muster, the kithara said, “Well, Milady, first you need to stand.”


Eibhlin did.


“And now step forward. Carefully now!”


Eibhlin took a step.


“And now another. And another. And another. Good. Now another step. Good.”


And so the pair continued their descent into the heart of the earth.



After the nothingness of utter darkness, even the smallest hint of light becomes more precious than all the gold in the world. When she saw it, the keyhole looked to Eibhlin like the sun. She ran toward the light with a joyous cry. It sat in the wall of stone right about the level of a normal keyhole. Around it, the stone was strangely smooth, and when Eibhlin touched it, she felt the keys against her chest shiver. At once she wanted to fit the key into the lock, but Melaioni’s voice stopped her. “Before traveling through the fairy door, you should eat something, Milady. The moon has grown stronger now, and if your body and mind are weak, then you will be pulled aside and lose your way.”


Eibhlin felt hunger gnawing in her stomach. During the trip down, she had drunk water, but the anxiety and fear had kept her from eating much. Now, with the exit hopefully in sight, her relief brought with it hunger.


After the quick meal, Eibhlin took out the key and slid it into the keyhole. The door opened, and she stepped through. This trip was much like the others except the pull had grown exponentially stronger, much more than Eibhlin expected, and she nearly stumbled off her way. It was only the two keys and Yashul’s blessing that tethered her to her path. She realized this as she came out on the other side of the door. But she had other, more immediate worries to consider, so the thought did not stay long.

Comfort in the Dark panel 2
Fairy Door series cover
Comfort in the Dark episode cover
18K views • 978 likes
8 comments

Fairy Door

Created by
author avatar placeholder
V. A. Boston
After years of neglect from her father, Eibhlin has had enough. But when a purse of infinite gold, a fairy, and a trade shatter what little relationship she has with her father, she resolves to set things right. Aided by a magic compass and a talking instrument, she now seeks three magic keys and their magic doors to find the fairy once again and recover what was lost. She broke their relationship. Now, she’ll brave the Fae to fix it. If she can get there. From the fantasy tradition of The Chronicles of Prydain and The Hobbit comes a tale of love and redemption perfect for fans of all ages.
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Comfort in the Dark cover art
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211 views • 18 likes • 0 comments
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